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CHAPTER 20: Machine Guns—Masterworks or Monstrosities?

The origin of rapid fire weapons equal to the machine gun of the paper cartridge era is lost in antiquity. There are Biblical references to weapons shooting many arrows, and Leonardo da Vinci, millenia later, planned a device of that class of arm known as orgue des bombards, or organ of bombards (small guns). In the ordinary “organ” of the late medieval ages, a row of barrels was placed parallel, or with breeches converging, to be fired by a single touch of the match in a volley. Tactically, this primitive device and the “machine guns” used by the North in were virtually identical in purpose.
The machine gun as employed by regular forces was looked upon as a “fortress or flank defense gun,” a sort of large buckshot cannon to be placed within the outer defences of a fortress, and turned loose in the event enemy soldiers breached the walls. The orgue des bombards of the Middle Ages was such an arm, intended for use inside the castle outer wall or at the head of steps, to sweep it clear.
Not until the development of Dr. Gatling’s gun began during the Civil War did a sense of the field and attack values of the machine gun occur to modern military men. Even then, the principles of the old “orgue” kept their sights limited, although the original purpose of the volley gun was to serve a defense need vital in the America of . Today, full comprehension of that first role of the American machine gun is held only by the historical buffs who preserve the lore and artifact of old covered bridges. But in , to keep storms from scaring horses through guard rails, nearly every bridge was covered and dark inside. To suit this situation, gunmaker Billinghurst at the behest of inventor Requa resurrected the orgue des bombards.

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